In the event of a tie, it would be divided into proportional parts. Each Jury will manage a prize of € 1,000, in each town the winning choreographer and the order of the two remaining choreographers will be announced.Īt the end of the 12 calls, the choreographer with the highest number of spaces won will win the sum of € 6,000, the second with € 4,000 and the third with € 2,000. The jury will be different in each town, it will be popular and will be made up of inhabitants of the towns in the competition, pilgrims and the public attending to complete 20 people of all ages. The selected choreographers will receive a total of € 3,000 for the selected choreography. Each choreographer will be provided with the musical theme.
The music of the works will be strictly live, and will feature interpreters or composers from Castilla y León and Galicia. The choreography will be unpublished and expressly created for Danza en el Camino. The play must last between 10 and 15 minutes. The organization, depending on the material presented, will select three finalist choreographers. The choreographers must present visual material showing the style of their choreographic line, as well as a general idea about the choreography and its adaptation to what the Jacobean Route entails. Therefore, the reasons for creating the work are infinite, so the choreographers must describe in a brief but concise way, on which they base, inspire, shape, in short, send us references that allow us to know how their work could be. The works in competition will be inspired by the Jacobean Route of the Camino de Santiago, this creative breadth will allow to show from a space of personal and social learning, a formative, vital and experiential itinerary, passing through the lands and idiosyncrasies of our country, discovering or re-discovering our own internal geography. Organized by the Ministry of Culture of the Junta de Castilla y León and the management of the Contemporary Ballet of Burgos SL, on behalf of the Burgos & New York International Choreography Contest, with the collaboration of the Provincial Councils of Burgos, León and Palencia, and the contest of 9 town councils present, call for the choreographic contest "DANZA EN EL CAMINO"Īrchitecture and Dance, Music and Scenic Avant-garde, past and present surrender to this World Heritage Site. Failure to comply may leave participants without scholarships for aid, travel, stay and the possibility of competing.Ĭamino De Santiago, passing through Castilla y León and Galicia Being selected in the competition implies acceptance of these rules and the general rules of the competition. The 16 choreographies will be eligible for other prizes that also have financial remuneration such as hiring for tours, functions, selection for other festivals or artistic residencies.Īny other assumption not included in these rules will be resolved by the management of the Organizing Committee.
The selected choreographers will be sent a commitment document that they must sign and re-deliver in which they agree to attend the competition, except for force majeure. On the third day (closing gala and awards ceremony) only the choreographies designated by the jury will dance in order to validate their scores and / or comparisons with the rest of the works in the competition. The competition will take place in 2 days, with 8 choreographies competing each day. It is open for works with a single dancer, duos or groups indistinctly, the maximum number of dancers per choreography will be 8. The works must not exceed 10 minutes, those that exceed these limits will be disqualified. This selection will be made through the film material sent by the participants. Those works created expressly for the competition will have preference, that is to say that they suppose an absolute premiere. In short, this contest groups styles, trends and volumes of choreographic composition regardless of its interpretive aesthetics.Ī maximum of 16 choreographies will be selected, which will compete for the € 27,000 prize money that is divided as follows: This competition is open to trends that cover lines of work from Graham, Limón or Cunningham to current neoclassicism, through styles, for example, such as Forsythe or Killyan, as well as the codes of movement present in Urban Dance and all its manifestations that converge in the so-called Scenic Hip-Hop, ultimately bringing together Contemporary and Urban Dance, works in competition where quality in innovation, mastery and composition of the movement prevails and those that are still in the experimental phase such as the so-called new trends.
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